The D’Morón Teatro company is characterised by consolidated community work and meticulous labour in defence of national culture and identity.

The group is well known among the public for being a faithful representative of street theatre with its living statues, adaptations of universal literature classics, work with children and young people, and bringing passages of the nation’s current reality to the stage.

With highly creative work, employing clay as makeup and exceptional scenographic elements, D’Morón Teatro fosters cultural growth by combining community work with stage theatre, children’s gatherings, and pedagogical arts training.

The effort and unity among its members have made it possible for them to have their own stage, by rescuing the Reguero theatre building in the city of Morón from ruins.

Its repertoire implicitly includes classic works such as El pequeño príncipe, Medea de barro, Troya, Cecilia, el ángel de barro, La calle de Federico, among others.

Uno, dos y tres, que paso más chévere, Gente de Barrio, El monte calvo, Chivo que rompe tambó, Los herederos del tiempo and others form part of the group’s repertoire, which brings together around thirty actors, actresses, technicians, and support staff.

D’Morón Teatro has performed in the most remote places of the Avilanian province and in different states of the Bolivarian Republic of Venezuela, as a proposal of Cuban street theatre, but has also showcased its cultural work in other territories of the country at different events.